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	<title>Guitar Impressions &#187; Blues</title>
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		<title>Big Bill Broonzy</title>
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		<pubDate>Sat, 26 Apr 2008 03:55:12 +0000</pubDate>
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				<category><![CDATA[Blues]]></category>
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		<description><![CDATA[The Blues Singer Guitarist Big Bill Broonzy (Photo credit: Copyright Terry Cryer; used with permission) The Blues Singer Guitarist Big Bill Broonzy (born William Lee Conley Broonzy) has long been a favourite of mine. His style was very distinctive. He would sometimes use a basic, fundamental guitar accompaniment, occasionally highlighted by stark, single string solos, [...]]]></description>
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		<title>&#8216;Hokum&#8217;; Its Role in the Blues</title>
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		<pubDate>Sat, 26 Apr 2008 03:49:27 +0000</pubDate>
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		<description><![CDATA[Hokum The Technique of Hokum In a general sense, &#8216;hokum&#8217; was a style of comedic farce, spoken, sung and spoofed, while masked in both risqué innuendo and &#8220;tomfoolery&#8221;. It is one of the many legacies and techniques of 19th century blackface Minstrelsy. Like so many other elements of the Minstrel Show, stereotypes of racial, ethnic [...]]]></description>
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		<title>Big Bill Broonzy&#8217;s Guitar Teacher</title>
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		<pubDate>Fri, 25 Apr 2008 00:58:18 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<category><![CDATA[six string banjo guitar]]></category>

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		<description><![CDATA[“Papa” Charlie Jackson Papa Charlie Jackson was a very sophisticated player of the six-string banjo-guitar (six stringed instrument, tuned like a guitar but with a banjo body, that gave it a lighter resonance) and ukulele, who was one of the earliest and most successful of the solo blues singer/instrumentalists (note that blues was considered a [...]]]></description>
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